Sunday, March 20, 2016

And now for something completely different.


Here is a tiny 6"x6" painting that I completed recently. Not really an abstract work at all, but rather a magnified view of some kind of jellyfish as seen at the Monterey Bay Aquarium in California. I loved this place and found it impossible to tire of jellyfish and their mysterious, fluid elegance and beauty. So in a real color departure for me, I have been painting them using a lot of the blue that appears in the backgrounds of the aquaria there. In the sea, I suppose the back ground would be black, or that the jellyfish would not be visible at all.



As I said, I never tired of the jellyfish, or of painting them so now I have embarked on a new project of blowing this tiny fragment of one of them up onto a 3 foot square canvas. This is the initial stage. I painted the canvas blue with an acrylic base and marked it off with grid for easy transfer of the design. I have located all of the various design elements and indicated their general shapes and colors. I have a long way to go with repainting the blue in oils to give it depth and character (not to mention covering up the grid lines). Then the subtle and ethereal colors of the jellyfish membranes as well as its more solid forms. I don't care, in the end, whether or not anyone will be able to recognize this as part of a jelly fish. I just want people to recognize it as a thing of beauty.

Tuesday, March 8, 2016

Warm and cool colors

This is an interesting lesson in the way that warm and cool colors can affect one another. 


In this first example (oil on canvas - 14"x11") I made the tee shirt pink, since that was the true color of the model's shirt. I asked her to keep her hat on as a nice change from hair. But no matter what I did, the skin colors seemed washed out. Too much pink.


Having nothing to lose, I decided to change the shirt to a cool color. I chose blue because there is some blue in the hat and because the background was already green. The only change I made in the face was to lighten some of the highlights. It is amazing to see the difference. Now, I may darken parts of the shirt to break up that large monotonous area of light blue.

Tuesday, December 29, 2015

FAULT LINES - PEOPLE WITH GODS


I'm still working on this painting after a brief hiatus for the holidays. I am trying to decide which title is better "PEOPLE WITH GODS" or "FAULT LINES".


 There was always something wrong with the profile above and I couldn't figure it out. This is what comes of just making up your subjects without benefit of a model. So I turned to the internet and just googled images for "man shouting - profile".  There were plenty of good examples and I have changed him as you can see below.  The upper teeth are showing instead of the lower.  The neck is totally different.


But the biggest change is in the eye and the bones and muscles around it. And I have a long way to go on this.  But, I have learned the lesson. Never struggle with a human figure without a model or at least a photo.  Any color differences between these two are due to my inexperienced photography.

Tuesday, November 24, 2015

PEOPLE WITH GODS - in progress

I working on this piece pretty steadily, perhaps inspired by recent events. But I have been thinking about doing this piece for years and recent events are really no worse than so many events in the past. OK, I know that it is not fair to suggest that religion is the cause of all human misery but I don't think it is helping. This is my personal tirade about it.

Tuesday, November 17, 2015

PEOPLE WITH GODS


 A work in progress that I have been thinking about for a long time. The first picture is an oil sketch that I did a couple of weeks ago to work out my ideas for a painting that I am now calling "People With Gods". The second picture is a bigger version (36"x52") that I am working on.
While I am well aware that religion can bring peace, love and meaning to a lot of people, this painting is not about that side of religion. These three arguing men will be wearing small symbols that identify them as a moslem, a christian and a jew.  The red and black in the background will be explosions to represent the result of their conflict, while a group of shadowy figures trudge off in despair. Pretty grim, but that is the way I am feeling about things right now.

Saturday, November 7, 2015

On The Last Day Of The World, I Would Want To Plant A Tree

I started this painting about a year ago. I heard a phrase on the radio - I forget the context. "Mother Earth walks among her dead."  Somehow, hearing this phrase immediately made me want to make a painting about it and this is what I came up with. An unidentified woman walks across a scorched and dead landscape, but reaches down to plant a little seedling.



 In this first version, she walked on something that was supposed to look like lava with a few bones and a little trash strewn about. I wasn't sure where to go with it at all and the title didn't seem just right - too grim for a grim subject. Gradually, I eliminated the lava and put in more and more garbage. The more garbage I put in the more I liked it. Who knew that painting trash could be so much fun?



So here is the final (maybe) version.  When I heard Garrison Keillor reading a poem by WS Mirwin on "The Writers' Almanac". I knew that I had the perfect title "On The Last Day Of The World, I Would Want To Plant A Tree."  It suggests a ray of hope and faith in the restorative powers of nature to carry on with the world in spite of the damage we may do. I changed the posture of the woman just a bit, added some more trash and called it done.
24"x30"  oil on canvas

Tuesday, November 3, 2015

PAINTING SCHIZOPHRENIA


In recent posts, I have been featuring some of my figurative work, which is really important to me and I keep trying to improve my skills. I want to be good at painting people so that I can use them in larger paintings that reflect my concerns about social and environmental problems of our time. These paintings are mostly troubling because they are about unpleasant subjects and all of the things that are wrong with the world.
 On the other hand, the paintings shown here (both 20" square) represent an entirely different aspect of my work. They are about what is right with the world, in this case, plant life going through its important cycle of decay which leads to regeneration. These abstract looking works are not abstract at all. They are almost microscopic views, blown up to large size, of the leaves of the Water Shield plant that float on May Pond, my favorite local kayaking spot. The colors are realistic and lovingly painting them is, for me, simple Nature worship. This is something beautiful in the world and I think that people need to see it.
 So, with these two completely different bodies of work, I feel like some kind of schizophrenic. They are so different - as isftwo different people had painted them. I don't know which way to go with my painting, or if I should even decide. The only reason not to do it all is because people expect to get to know a painter for a particular type of work and this is supposed to help one advance one's career.
But maybe they really are the same sort of thing, in that they are both something that I think people need to see.