Sunday, May 31, 2015
The perfect is the enemy of the good.
Feeling myself somewhat at a loss about what to do next, I decided to just practice some little portraits based on photos. This one is 8"x6". I think that this is a good way to rekindle interest and to do something fresh rather than endlessly toiling over the same few pieces trying to reach perfection. This little portrait may not be perfect, but it is good. Don't let the perfect be the enemy of the good.
Tuesday, May 26, 2015
PAITNING WORKSHOP WITH MAX GINSBURG - day six
The last day of the workshop was a Saturday. I was so sorry to see it end. Max set up a difficult pose for the model, Pat, who somehow managed to hold it all day with a few breaks. Max asked him to pose as if he were just getting up out of the chair. This meant that Pat couldn't relax at all, but had to keep his muscles tense all of the time. I'm not used to working on the same alla prima piece for an entire day, but I did it that day and the result please me. Afterwards, we all went out to eat at a Greek restaurant in Astoria, Queens.
Saturday, May 23, 2015
PAINTING WORKSHOP WITH MAX GINSBURG - day five
Pat was our model for an all day pose. I think I did ok with this one except for the torso being a little short. Or maybe the thighs are a little to long. It is really important to look carefully and work these things out in the beginning rather than trying to correct them later on.
Tuesday, May 19, 2015
THE STORY BEHIND A PAINTING
COLLATERAL DAMAGE - 42"x34" |
THEIRS NOT TO REASON WHY 12"x10" |
Sunday, May 17, 2015
PAINTING WORKSHOP WITH MAX GINSBURG - day four
We spent the morning in Manhattan at the Hispanic Society of America, looking at the paintings of Joaquin Sorolla - a Spanish bravura painter who is a particular favorite of Max's. Then, in the afternoon back at the studio in Long Island City, we worked on head studies of Pat. This is mine at the beginning and at the end. At this point, I began to feel that I was getting somewhere in learning to paint.
Monday, May 11, 2015
PAINTING WORKSHOP WITH MAX GINSBURG - day three
On the third day, we had an all day pose. In the first picture, I am working out the drawing. After correcting a few errors, I completed the painting as can be seen in the second picture. I think I did pretty well with this. I certainly learned the importance of slowing down and looking closely at the model and getting the proportions and angels right at the start - so much easier than trying to correct them later. With this taken care of, I was able to go ahead and add color - warm and cool. This is as far as I got that day.
Saturday, May 9, 2015
PAINTING WORKSHOP WITH MAX GINSBURG - day two
On the second day of Max's excellent workshop, we had an assignment. It was to make two quick oil sketches that included the entire body - no cutting off the feet allowed. After Max helped me correct the drawings, I think I did pretty well. One thing I learned was to make the lower legs darker and more purplish by using a little alizarin crimson. Pale skin is difficult for me, but by concentrating on tone and big forms, I think I did ok.
Monday, May 4, 2015
PAINTING WORKSHOP WITH MAX GINSBURG - day one
I recently attended a six day workshop at the Long Island City studio of Max Ginsburg. On the first day, after watching Max's demonstration, we attempted two head studies.
In the first one, I think that I failed to capture the model's thin and frail look. It is all a learning experience, though. I rubbed this one out.
My second attempt was much more successful, I think. She was delicate and I think I got that on the second try. I was learning something every minute that I was working with Max.
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